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Brett Eldredge and Meghan Trainor Reunite for a Snowed-In “Let It Snow”

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Ten years ago, Brett Eldredge and Meghan Trainor teamed up on “Baby, It’s Cold Outside” for his debut Christmas album, Glow. Few people expected it to stick around. It did, piling up more than 262 million Spotify streams and settling into the holiday rotation. Now the two are back with another winter standard, and Eldredge, who has made a second career of being Nashville’s Mr. Christmas, is treating it like an anniversary party.

Their take on “Let It Snow! Let It Snow! Let It Snow!” arrives with a music video, and the idea behind it was to make something that sounds like it’s always existed and also doesn’t. “I wanted to do something that would feel classic and new all in the same spark of a moment,” Eldredge says. He describes the result as a blend of both artists’ flavors, “one fantastic slice of Christmas apple pie,” and says he hopes it gets people dancing.

Trainor, for her part, is sold on the freshness. “I’ve never heard a version of ‘Let It Snow’ quite like ours,” she says, adding that Eldredge has “the most incredible voice” and that the song was a natural way to mark a decade since their first pairing.

The anniversary doesn’t end at the single. Eldredge is also hitting the road for the Glow: 10 Year Anniversary Tour, a 12-date run through November and December 2026 that takes its name from the album that started his Christmas run. The itinerary includes Boston, St. Louis, New York, Chicago, and Nashville, and he’s booked the kind of rooms that suit the material: the Chicago Theatre, New York’s Beacon Theatre, Boston’s Boch Center Wang Theatre, and the Ryman Auditorium in Nashville. Expect songs from Glow, Mr. Christmas, and his newest record, plus a few of the standards.

For Eldredge, the tour is as much about ritual as nostalgia. “I believe in tradition and I believe it makes us who we are,” he says. “It gives us depth and soul.” Glow was his “Christmas dream,” he explains, and the tour turned it into something he and his fans could return to every year. Tickets are available through BrettEldredge.com and LiveNation.com.

All of this follows Merry Christmas (Welcome to the Family), his eighth full-length and third holiday album, which is out now. It’s eight original songs built from the kind of memories that feel lived-in, like a favorite holiday sweater. If “Let It Snow” is the party, the album is the fireside part of the season.

You can stream the new single, watch the video, or find the album on all formats.

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Silent Planet Sign With Pure Noise Records, Announce New Album ‘Infinite Sleep’ And Share ‘fangs!!’ Featuring Thornhill’s Jacob Charlton

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Silent Planet are entering a new chapter. The atmospheric progressive metalcore quartet from Azusa, California, have officially signed with Pure Noise Records and announced their upcoming album, Infinite Sleep, arriving January 29, 2027. Alongside the news, the band has unleashed the first single, “fangs!!,” featuring Jacob Charlton of Thornhill.

The album marks Silent Planet’s first full-length release of original music since 2023’s critically acclaimed SUPERBLOOM. The new record will feature 14 tracks, with “fangs!!” offering the first glimpse into the band’s latest creative direction.

Fans can pre-order Infinite Sleep here, stream “fangs!!” featuring Jacob Charlton, and watch the official music video.

Garrett Russell Explains The Meaning Behind ‘fangs!!’

«We hold the tools to extinction like holy books against our chests, believing our salvation lays inside the threat of global annihilation. A society of “perverts who are secretly horny for the apocalypse” we built temples to our inevitable undoing – and we all sleep soundly inside this dread machine. But if you could see your city from a bird’s eye view… you’d see the bite marks stippling streets and poisoning what’s left of waterways. You see the remnants, but you can only feel the “fangs!!”

I’ve had this recurring dream for quite some time where I arrive at a skyscraper rooftop where I lock eyes with a woman I’ve never met in real life. She is about to jump. And this is where the dream splits – sometimes I narrowly miss her hand and watch her fall placid to the ground, resigned to her fate. But sometimes I catch her hand, and we fall together, she always turns to me and whispers something personal, then we hit the ground and I wake up.

Early this year, as we were writing this album, the war broke out and the dream had this new element: A nuclear bomb falling on the city. It’s as though the bomb distracted her from her misery, and we would watch it together. Then, knowing that our doom was inevitable, we would jump. But this falling felt more akin to flying, as though our final moments were a choice of freedom in this strange world that hoards the keys to its own annihilation.«

The upcoming album will feature 14 songs, including the Jacob Charlton collaboration and the newly released title track.

Tracklist:

  1. Basilisk
  2. A Swarm Of Starlings
  3. Wick
  4. Stalking the Wild Pendulum
  5. fangs!! (feat. Jacob Charlton)
  6. Sundressed
  7. Snakepit
  8. Panic Tomb
  9. Deus ex hominibus
  10. Mindframe
  11. Mourning Dove, Why Don’t You Sing?
  12. Magnolia
  13. Lucid Wings of
  14. Infinite Sleep

With a new label home, a guest appearance from one of modern metalcore’s recognizable voices, and a concept that confronts humanity’s darkest impulses, Infinite Sleep is shaping up to be an intriguing next step for Silent Planet. The album arrives January 29, 2027, via Pure Noise Records.

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Peaches Teams Up With Fever Ray And finnjävel For Dark, Club-Ready ‘Panna Cotta Delight’ Remix

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Peaches is giving one of the standout tracks from her latest album a fresh, dance-floor-ready makeover. The iconic musician, producer, director, and performance artist has released “Panna Cotta Delight (Fever Ray & finnjävel Remix),” bringing together her signature punk attitude with the distorted electronic darkness of Fever Ray and finnjävel.

The new version transforms the original into an energetic collision of angry, squealing synths and Jersey club kicks. The track also retains the provocative spirit that made the original stand out, with CBC praising its use of “playful, unexpected rhymes to shatter taboos around aging and desire.”

Fever Ray expressed excitement about the collaboration, saying, “Honoured and happy we were asked to do this, Peaches has been the soundtrack to many fun nights and happenings.”

For finnjävel, the remix carries an especially personal meaning. “The Teaches of Peaches was the soundtrack to my queer awakening as a teenager, so I’m beyond excited and honoured to share this remix we made for Peaches, a true queer icon,” they said. “I’m especially happy to have made this together with my dear collaborator and musical sibling Fever Ray!”

Peaches Announces Limited-Edition Remix Vinyl

The new remix also arrives ahead of a special vinyl release. On November 20, Peaches will release two limited-edition 12-inch White Label Vinyl editions featuring remixes of songs from No Lube So Rude, her first album in more than a decade, released in February 2026.

The first edition pairs “You’re Alright (Pixel Grip Remix feat. Joe Talbot of IDLES),” which received A-list rotation on BBC Radio 6 Music, with the club-ready “Not In Your Mouth None Of Your Business (Boys Noize Remix).”

The second pairs the newly released “Panna Cotta Delight (Fever Ray & finnjävel Remix)” with the euphoric and explicit “Fuck Your Face (Only Fire Remix).”

Fans can pre-order the limited-edition vinyl here.

Peaches Celebrated At The 2026 Pink Awards

Beyond the new music, Peaches recently received another meaningful recognition for her influence and impact. Last week, she was honored as one of Pink Triangle Press’ 2026 Champions at the Pink Awards, alongside Bowen Yang, Gigi Gorgeous, Emily Hampshire, and Harrison Browne.

Elliot Page presented the award, sharing a heartfelt tribute about how seeing Peaches as a teenager had been a deeply pivotal experience in his life. He credited that moment as so important that he wondered who he might be today without it.

Peaches used the occasion to spotlight The Will Munro Fund at The 519, which provides emergency financial assistance to 2SLGBTQIA+ people living with cancer in Ontario. The fund helps ease financial hardship and improve recipients’ quality of life. Peaches also closed out the awards ceremony with an electrifying performance.

Peaches Takes ‘No Lube So Rude’ Around The World

Peaches is also preparing to bring her boundary-pushing live show to audiences across the globe. Her Latin American tour kicks off November 12 and wraps up later this month at Corona Capital. She will subsequently take her theatrical performances to Australia and New Zealand before returning to Europe in 2027.

Her live shows have earned plenty of critical praise, with Phoenix New Times describing them as “theatrical, boundary-pushing” and The Guardian calling them “a masterclass in gleeful subversion.” The Times has also praised the performances as “beautifully surreal.”

Released in February 2026, No Lube So Rude finds Peaches exploring the intersection of personal identity and politics, treating the body as both a sexual and spiritual vessel and a frontline in the fight for basic human rights. Its explicit lyrics, biting sarcasm, and clever wordplay are balanced by moments of vulnerability, as the post-menopausal queer icon confronts a society that often expects women to become silent, if not invisible, as they age.

The album was shortlisted for the Polaris Music Prize, marking Peaches’ first nomination since The Teaches of Peaches received the Slaight Family Polaris Heritage Prize.

A Growing Collection Of ‘No Lube So Rude’ Remixes

Since the album’s release, its songs have inspired a growing collection of remixes that push the material into different corners of underground dance music.

Alongside the new Fever Ray and finnjävel collaboration, Pixel Grip and Joe Talbot, Boys Noize, and Only Fire have all contributed their own interpretations. Other recent releases include the rave-infused “Whatcha Gonna Do About It (I. JORDAN Remix),” the pulsing “No Lube So Rude (Cora Novoa Remix),” the techno-house reworking “Hanging Titties (River Moon Remix),” and the operatic “Take It (SIERRA VEINS Remix).”

Peaches has also recently teamed up with Saber Interactive for the first-ever official rework of her electroclash classic “Fuck The Pain Away,” created for Clive Barker’s Hellraiser: Revival. The original track has long held an iconic place in electronic music, with Pitchfork famously calling it an “immortal banger” and the “#1 Greatest Electroclash Song of All Time.”

With more remixes, special vinyl editions, and international tour dates on the horizon, Peaches continues to prove that her provocative, uncompromising approach to music and performance remains as vital as ever.

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Silversun Pickups Announce 2027 ‘Tenterhooks’ Tour With 28 Dates Across North America

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Silversun Pickups are hitting the road again. The multi-platinum, GRAMMY-nominated Los Angeles quartet has announced its 2027 Tenterhooks Tour, a 28-date run that will take the band across North America, with stops in Nashville, Atlanta, Washington, D.C., New York, Chicago, Las Vegas, Los Angeles, and plenty of other cities.

Fresh off opening for Weezer, the band will also make an appearance at Salt Lake City’s Kilby Block Party. The tour supports their recently released seventh studio album, Tenterhooks, which finds the group reuniting with longtime producer Butch Vig for a collection that sounds both urgent and unapologetically raw.

Artist presales begin Wednesday, November 11, at 10 a.m. local time, with general ticket sales starting Friday, November 13, at 10 a.m. local time. Tickets and additional information are available here.

Silversun Pickups Reunite With Butch Vig For ‘Tenterhooks’

Released through the band’s own New Machine Recordings, Tenterhooks features ten tracks recorded by the current lineup: Brian Aubert (vocals, guitar), Nikki Monninger (bass, vocals), Christopher Guanlao (drums), and Joe Lester (keys). After two previous albums together, the band and producer Butch Vig (Nirvana, The Smashing Pumpkins, Garbage) have developed an easy creative rhythm, and that chemistry is all over the new record.

«We wanted to make a tight record that could fit on one vinyl with five songs on each side,» Aubert explains. «To me, it’s an impatient, apprehensive, and more aggressive album. We started recording when the world was changing again. You invariably wonder, ‘What are we headed towards?’ Even if you’re not necessarily writing about it, it bleeds into how you’re feeling and approaching life. We stripped things down and went louder and rawer.»

The album began taking shape after the band wrapped up touring in 2024 and enjoyed a rare break. During that time, Aubert collected voice memos, guitar riffs, and other musical ideas, eventually bringing them into the studio with his bandmates and Vig. Their approach was refreshingly direct: the musicians would grab their instruments and play together while Vig listened and recorded, allowing the songs to develop organically.

The sessions weren’t entirely smooth, however. Vig’s commitments touring with Garbage temporarily pulled him away from the studio, while Aubert faced a frightening medical ordeal of his own. The singer lost hearing in one ear and spent seven days in the hospital, where he also required a blood transfusion.

«I had a hole in my ear drum,» Aubert recalls. «They couldn’t figure out why I was losing blood, so they gave me the transfusion. We found out there was a rupture in my stomach lining due to the ibuprofen I was taking for the pain. That’s why I had been losing blood. One day, I was finally hearing again.»

Eventually, the band reunited with Vig to finish the album. Even the title reflects the uncertain atmosphere surrounding its creation. The phrase «on tenterhooks» describes a state of anxious anticipation, something Aubert felt was particularly fitting for the times.

«There was something in the air,» he says. «It seemed as if everyone was on Tenterhooks waiting for whatever was next. The music has the same feeling.»

The album is available on CD, LP, and digital formats here.

Silversun Pickups ‘Tenterhooks’ Tour 2027 Dates

The tour begins in Austin on February 26 before moving through the South, East Coast, Midwest, and Canada. The band then returns to the West Coast in May, wrapping up with a hometown-area performance at The Wiltern in Los Angeles.

  • November 14 – Darker Waves, Huntington Beach, CA*
  • February 26 – Stubb’s Waller Creek Amphitheater, Austin, TX
  • February 27 – Granada Theater, Dallas, TX
  • February 28 – White Oak Music Hall, Houston, TX
  • March 2 – Brooklyn Bowl Nashville, Nashville, TN
  • March 3 – Buckhead Theatre, Atlanta, GA
  • March 5 – The Orange Peel, Asheville, NC
  • March 6 – 9:30 Club, Washington, DC
  • March 7 – Union Transfer, Philadelphia, PA
  • March 9 – Paradise Rock Club, Boston, MA
  • March 10 – Webster Hall, New York, NY
  • March 12 – Higher Ground, South Burlington, VT
  • March 13 – HISTORY, Toronto, ON
  • March 14 – Saint Andrew’s Hall, Detroit, MI
  • March 16 – Riviera Theatre, Chicago, IL
  • March 17 – First Avenue, Minneapolis, MN
  • May 5 – The Sound, Del Mar, CA
  • May 6 – Rio Theatre, Santa Cruz, CA
  • May 7 – The Castro Theatre, San Francisco, CA
  • May 8 – Ace of Spades, Sacramento, CA
  • May 10 – Showbox SoDo, Seattle, WA
  • May 11 – Commodore Ballroom, Vancouver, BC
  • May 12 – Roseland Theater, Portland, OR
  • May 14 – Kilby Block Party, Salt Lake City, UT*
  • May 15 – The Ogden Theatre, Denver, CO
  • May 16 – The Bridge at Santa Fe Brewing Company, Santa Fe, NM
  • May 18 – Marquee Theatre, Tempe, AZ
  • May 19 – Brooklyn Bowl Las Vegas, Las Vegas, NV
  • May 21 – The Show at Agua Caliente Casino Rancho Mirage, Rancho Mirage, CA
  • May 22 – The Wiltern, Los Angeles, CA

Festival dates.

For tickets and further details, visit the official tour information page.

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