Movies
REVIEW: The Secret Agent
Clocking in at nearly three hours, this already award-winning Brazilian film takes its time—but not in a way that feels indulgent. Instead, it moves at a confident, steady pace, slowly unraveling like a John le Carré adaptation, just with less dense spycraft and a bit more wit and oddball humor. And yes, that includes an almost surreal running gag involving a dismembered leg that seems determined to kick people down, plus a very strange cat that looks like it might have two faces. It’s that kind of movie.
What really caught me off guard is how all of this gradually leads into moments of genuine violence and unexpected gore. The tonal shift is surprising, and that’s where the film really finds its edge. Just when you think you’ve figured out where it’s heading, it swerves—sometimes sharply—into darker, more chaotic territory. Those twists and turns end up being part of the fun, constantly keeping you on your toes.
Visually, the film has a lot going for it. Much like a classic spy thriller, the camerawork can be quite kinetic, with smart use of pans and zooms that give certain scenes an energetic, almost paranoid feel. The production design is immersive as well, dropping you squarely into a specific historical moment when the country feels stuck in a period of political and social uncertainty. That sense of unease hangs over much of the runtime, even if the movie often opts for a lighter, occasionally surreal, and even campy tone rather than going full gritty realism.
After doing a bit of digging, it made perfect sense to learn this was directed by the filmmaker behind Bacurau. You can feel that same distinctive voice here, even if this film is ultimately more grounded. So no, this is definitely not I’m Still Here, but it shares a similar confidence in mixing genres and tones. The score also plays a big role, effortlessly shifting between suspense and playfulness depending on what the scene calls for.
Performance-wise, Wagner Moura once again proves why he’s one of the most underrated actors working today. Whether he’s playing a police commander, an iconic drug lord, a journalist, or something death, he always commits fully. This isn’t his most demanding role, leaning more toward understatement, but his enigmatic presence makes the character consistently compelling. The supporting cast is equally solid, with even the smallest roles adding texture and flavor to the larger picture.
All in all, while the film did lose me a bit during its slower first half, once it finds its rhythm it becomes a highly entertaining ride, anchored by strong direction, memorable performances, and a willingness to take bold, unexpected swings.
Movies
Jason Momoa to Star in Sony’s ‘Helldivers’ Movie, Justin Lin Directing
Jason Momoa is heading to the front lines.
The actor has signed on to star in Sony Pictures’ feature adaptation of Helldivers, the hit video game franchise from Arrowhead Game Studios. Justin Lin is set to direct the project, which hails from PlayStation Productions and is slated for a theatrical release on Nov. 10, 2027.
Launched in 2015, the original Helldivers built a devoted following, but it was 2024’s Helldivers 2 that became a breakout phenomenon. The sequel sold more than 12 million units across PlayStation 5 and PC within its first four months and has continued to expand its footprint, recently launching on Xbox. The game’s narrative centers on an elite military unit known as the Helldivers, tasked with defending the fictional Super Earth from deadly alien threats in a satirical, high-intensity sci-fi war.
Hutch Parker is producing alongside PlayStation Productions head Asad Qizilbash, with Lin producing through his Perfect Storm Entertainment banner.
The project adds to an already packed slate for Momoa, who remains one of Hollywood’s most in-demand action stars. He will next portray intergalactic bounty hunter Lobo in Supergirl: Woman of Tomorrow, set for release June 26. He currently stars opposite Dave Bautista in Amazon MGM Studios’ The Wrecking Crew for Prime Video and will appear alongside Ryan Reynolds in Warner Bros. and Legendary’s hybrid animated feature Animal Friends, debuting May 1.
Momoa is also set to take on the role of Blanka in Legendary and Paramount’s Street Fighter, scheduled for Oct. 16, and will reprise Duncan Idaho in Dune: Part Three, due Dec. 18 from Warner Bros. and Legendary.
The actor previously anchored Warner Bros.’ DC franchise as Aquaman in two films directed by James Wan and appeared as the villain Dante in Fast X, which Lin wrote and produced. Among his recent credits is Warner Bros. and Legendary’s A Minecraft Movie, which approached $1 billion at the global box office, as well as HBO’s Game of Thrones, where he broke out as Khal Drogo. Most recently, Momoa starred in and co-created Apple TV+’s limited series Chief of War.
Movies
James Van Der Beek, ‘Dawson’s Creek’ Star, Dies at 48
James Van Der Beek, the actor who became a defining face of late-’90s teen television as earnest aspiring filmmaker Dawson Leery on The WB’s Dawson’s Creek, died Wednesday following a prolonged battle with colorectal cancer. He was 48. His family confirmed the news on social media.
Van Der Beek publicly disclosed his diagnosis in November 2024. In a statement posted to Instagram, his family wrote, “Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith, and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.”
In the months after revealing his illness, the actor auctioned memorabilia from Dawson’s Creek and Varsity Blues to help offset treatment costs. He also withdrew from a one-night Dawson’s Creek reunion benefiting F Cancer; Lin-Manuel Miranda stepped in for the live stage reading of the pilot. Van Der Beek had recently been cast in a recurring role as a mayoral candidate in Prime Video’s upcoming Legally Blonde prequel series, Elle.
Born March 8, 1977, in Cheshire, Connecticut, Van Der Beek began his professional acting career at 16, appearing off-Broadway in Edward Albee’s Finding the Sun, directed by Albee. Though he would become synonymous with television, he often described himself as “a theater kid” at heart.
That changed in 1997 when he was cast in Dawson’s Creek, Kevin Williamson’s coming-of-age drama that premiered in January 1998 to record ratings for The WB. The series, which also launched the careers of Katie Holmes, Joshua Jackson and Michelle Williams, became a cultural touchstone, dominating among teenage viewers and running for six seasons through 2003. It later found new life on streaming, introducing Van Der Beek’s performance to another generation.
As his television fame grew, Van Der Beek headlined the 1999 high school football drama Varsity Blues and later starred in the Bret Easton Ellis adaptation The Rules of Attraction (2002). Though neither film was a blockbuster on release, both became emblematic of the era and earned enduring cult followings.
His later work included a starring role opposite Patricia Arquette on CBS’ CSI: Cyber and a self-aware turn playing a heightened version of himself on ABC’s Don’t Trust the B—- in Apartment 23. He also voiced a lead role on Disney Channel’s animated series Vampirina and appeared on shows ranging from One Tree Hill to Modern Family and Law & Order: SVU.
Van Der Beek is survived by his wife of more than 25 years, Kimberly, and their six children — four daughters and two sons. A GoFundMe page has been established to assist his family with living expenses.
Movies
Franz Rogowski and Benedict Wong Join A24’s The Masque of the Red Death
Franz Rogowski and Benedict Wong are boarding A24’s The Masque of the Red Death, joining previously announced stars Mikey Madison and Léa Seydoux in Charlie Polinger’s revisionist take on the Edgar Allan Poe classic.
Rogowski (Passages) and Wong (Weapons) have closed deals for the feature, which Polinger will direct from his own screenplay. The project is described as a wildly reimagined and darkly comedic interpretation of Poe’s 1842 short story. Specific character details are being kept under wraps.
In Poe’s original tale, Prince Prospero retreats with a circle of aristocrats to a fortified abbey as a devastating plague sweeps the land. Sealed off from the suffering outside, the nobles attempt to outlast the contagion by hosting a lavish masquerade ball. As the festivities unfold, a mysterious and ominous figure infiltrates the celebration, forcing the revelers to confront the inescapable reality they believed they had successfully walled off.
Polinger, a DGA Award winner, is expected to bring a contemporary lens to the material, blending horror and satire in a manner that aligns with A24’s penchant for auteur-driven genre fare.
Julia Hammer and Erik Feig are producing for Picturestart, alongside James Presson and Lucy McKendrick. Polinger will executive produce. A24 is set to distribute the film worldwide.
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