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REVIEW: Greenland 2: Migration

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The first film holds a bit of a special place for me, largely because, if memory serves, it was the first new movie I saw in theaters once cinemas reopened after the COVID lockdown. Beyond that personal milestone, it was also a genuinely solid entry in a disaster subgenre that had started to feel a little worn out. It featured sturdy performances, a handful of effective thrill sequences, and a premise that was executed well enough to stand out. Even the idea of relocating to Greenland of all places felt like a fresh wrinkle at the time.

Going into this sequel, my expectations were fairly low. The original wrapped things up cleanly, and it didn’t exactly scream “franchise starter.” That said, the film does manage to justify its own existence in a reasonably believable way. The bunker wasn’t built to last forever, the world hasn’t magically fixed itself, and constant storms, earthquakes, and environmental chaos make long-term survival nearly impossible. After a series of events, the surviving group is forced to migrate yet again, this time setting their sights on France, where rumors of a possible safe haven still linger.

From there, the movie settles into familiar disaster-movie territory. Danger lurks around every corner, and just when it seems like the characters might catch a break, something else inevitably goes wrong. Catastrophes often strike with little warning—meteor showers falling from the sky, mechanical failures at the worst possible moments, and perilous journeys that feel engineered to keep the tension high. Some of it stretches plausibility, like how quickly certain travel setbacks resolve themselves, but director Ric Roman Waugh does a commendable job maintaining suspense. The cliff-crossing sequence is easily the standout, delivering genuine white-knuckle tension.

Technically, the film is pretty solid. The visual effects convincingly sell the large-scale destruction, and the way various locations are rendered as devastated and barely livable is effective. David Buckley’s score is another highlight, using choral elements to give the film a haunting, almost apocalyptic tone. The editing and pacing are also on point—the movie moves briskly and rarely drags.

Performance-wise, this isn’t a showcase piece, and it doesn’t need to be. Gerard Butler, Morena Baccarin, and Roman Griffin Davis have believable chemistry, and the family dynamic works well enough to ground the chaos. Everyone delivers exactly what the movie requires, nothing more and nothing less—and yes, it’s always nice to hear Butler leaning into his natural accent.

If there’s a real weak spot, it’s the writing. The story often feels stitched together, relying heavily on convenience and familiar genre beats. Character decisions can be frustratingly illogical, and some relationships develop far too quickly to feel earned. The dialogue also veers into corniness whenever the film tries to reach for something more profound, resulting in more than a few eye-rolling moments.

In the end, this is a perfectly serviceable disaster sequel. It delivers what fans of the genre expect—solid tension, competent performances, and large-scale destruction—without really pushing the formula forward. While it’s far from essential viewing, it’s entertaining enough and never boring, making it a decent pick for disaster-movie fans looking for a familiar, straightforward ride.

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Jason Momoa to Star in Sony’s ‘Helldivers’ Movie, Justin Lin Directing

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Jason Momoa is heading to the front lines.

The actor has signed on to star in Sony Pictures’ feature adaptation of Helldivers, the hit video game franchise from Arrowhead Game Studios. Justin Lin is set to direct the project, which hails from PlayStation Productions and is slated for a theatrical release on Nov. 10, 2027.

Launched in 2015, the original Helldivers built a devoted following, but it was 2024’s Helldivers 2 that became a breakout phenomenon. The sequel sold more than 12 million units across PlayStation 5 and PC within its first four months and has continued to expand its footprint, recently launching on Xbox. The game’s narrative centers on an elite military unit known as the Helldivers, tasked with defending the fictional Super Earth from deadly alien threats in a satirical, high-intensity sci-fi war.

Hutch Parker is producing alongside PlayStation Productions head Asad Qizilbash, with Lin producing through his Perfect Storm Entertainment banner.

The project adds to an already packed slate for Momoa, who remains one of Hollywood’s most in-demand action stars. He will next portray intergalactic bounty hunter Lobo in Supergirl: Woman of Tomorrow, set for release June 26. He currently stars opposite Dave Bautista in Amazon MGM Studios’ The Wrecking Crew for Prime Video and will appear alongside Ryan Reynolds in Warner Bros. and Legendary’s hybrid animated feature Animal Friends, debuting May 1.

Momoa is also set to take on the role of Blanka in Legendary and Paramount’s Street Fighter, scheduled for Oct. 16, and will reprise Duncan Idaho in Dune: Part Three, due Dec. 18 from Warner Bros. and Legendary.

The actor previously anchored Warner Bros.’ DC franchise as Aquaman in two films directed by James Wan and appeared as the villain Dante in Fast X, which Lin wrote and produced. Among his recent credits is Warner Bros. and Legendary’s A Minecraft Movie, which approached $1 billion at the global box office, as well as HBO’s Game of Thrones, where he broke out as Khal Drogo. Most recently, Momoa starred in and co-created Apple TV+’s limited series Chief of War.

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James Van Der Beek, ‘Dawson’s Creek’ Star, Dies at 48

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James Van Der Beek, the actor who became a defining face of late-’90s teen television as earnest aspiring filmmaker Dawson Leery on The WB’s Dawson’s Creek, died Wednesday following a prolonged battle with colorectal cancer. He was 48. His family confirmed the news on social media.

Van Der Beek publicly disclosed his diagnosis in November 2024. In a statement posted to Instagram, his family wrote, “Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith, and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.”

In the months after revealing his illness, the actor auctioned memorabilia from Dawson’s Creek and Varsity Blues to help offset treatment costs. He also withdrew from a one-night Dawson’s Creek reunion benefiting F Cancer; Lin-Manuel Miranda stepped in for the live stage reading of the pilot. Van Der Beek had recently been cast in a recurring role as a mayoral candidate in Prime Video’s upcoming Legally Blonde prequel series, Elle.

Born March 8, 1977, in Cheshire, Connecticut, Van Der Beek began his professional acting career at 16, appearing off-Broadway in Edward Albee’s Finding the Sun, directed by Albee. Though he would become synonymous with television, he often described himself as “a theater kid” at heart.

That changed in 1997 when he was cast in Dawson’s Creek, Kevin Williamson’s coming-of-age drama that premiered in January 1998 to record ratings for The WB. The series, which also launched the careers of Katie Holmes, Joshua Jackson and Michelle Williams, became a cultural touchstone, dominating among teenage viewers and running for six seasons through 2003. It later found new life on streaming, introducing Van Der Beek’s performance to another generation.

As his television fame grew, Van Der Beek headlined the 1999 high school football drama Varsity Blues and later starred in the Bret Easton Ellis adaptation The Rules of Attraction (2002). Though neither film was a blockbuster on release, both became emblematic of the era and earned enduring cult followings.

His later work included a starring role opposite Patricia Arquette on CBS’ CSI: Cyber and a self-aware turn playing a heightened version of himself on ABC’s Don’t Trust the B—- in Apartment 23. He also voiced a lead role on Disney Channel’s animated series Vampirina and appeared on shows ranging from One Tree Hill to Modern Family and Law & Order: SVU.

Van Der Beek is survived by his wife of more than 25 years, Kimberly, and their six children — four daughters and two sons. A GoFundMe page has been established to assist his family with living expenses.

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Franz Rogowski and Benedict Wong Join A24’s The Masque of the Red Death

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Franz Rogowski and Benedict Wong are boarding A24’s The Masque of the Red Death, joining previously announced stars Mikey Madison and Léa Seydoux in Charlie Polinger’s revisionist take on the Edgar Allan Poe classic.

Rogowski (Passages) and Wong (Weapons) have closed deals for the feature, which Polinger will direct from his own screenplay. The project is described as a wildly reimagined and darkly comedic interpretation of Poe’s 1842 short story. Specific character details are being kept under wraps.

In Poe’s original tale, Prince Prospero retreats with a circle of aristocrats to a fortified abbey as a devastating plague sweeps the land. Sealed off from the suffering outside, the nobles attempt to outlast the contagion by hosting a lavish masquerade ball. As the festivities unfold, a mysterious and ominous figure infiltrates the celebration, forcing the revelers to confront the inescapable reality they believed they had successfully walled off.

Polinger, a DGA Award winner, is expected to bring a contemporary lens to the material, blending horror and satire in a manner that aligns with A24’s penchant for auteur-driven genre fare.

Julia Hammer and Erik Feig are producing for Picturestart, alongside James Presson and Lucy McKendrick. Polinger will executive produce. A24 is set to distribute the film worldwide.

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